What is to be understood here concerning the stone should be understood concerning any singular thing whatever, no matter how composite it is, and capable of doing a great many things: that each thing is necessarily determined by some external cause to exist and produce effects in a certain and determinate way.[1]
Panpsychism, the concept that all basic physical constituents of the universe have mental properties, follows from the relationship between freedom and necessity in Spinoza’s metaphysics. Responding to Tschirnhaus’ concern that there are two types of freedom, one applicable to entities possessing reason and consciousness and another to those lacking these properties,[2] Spinoza notes that his interlocutor’s position is simply an illusion. A stone will remain at rest without external cause, and once external cause (slingshot, wind, arm, gravity) is imposed on the stone, the stone will continue unabated until another force counters. The stone knows only its own striving and mistakenly assumes itself free because it is has inadequate knowledge of these other forces. Human freedom constitutes the same illusion: “that men are conscious of their appetite and ignorant of the causes by which they are determined.”[3]
Spinoza’s panpsychism is comprehensive insofar as it denies humans any privileged ontological status above other animals and objects, but it becomes more radical as it affords all entities, including inanimate objects, some degree of animation and denies a significant role for the emotions and purpose in human actions. That is, while panpsychism is suggested by the ontology of Part I of the Ethics and made explicit in the modal development of Part II, it has radical implications for Spinoza’s psychology in Part III. The essay that follows 1) defines panpsychism and briefly explicates its logical deduction; 2) elucidates the means by which Spinoza posits and defends panpsychism in Part II of the Ethics; 3) considers the means by which Spinoza further defends panpsychism and incorporates it into his theory of affects; 4) considers some challenges to the non-animal mentality with which Spinoza endows all modes and fundamental particles of the universe; 5) reflects on some potential challenges to panpsychism as it pertains to humans, including goal-directedness, self-destruction, altruism and aesthetics.
1) Panpsychism defined
According to Thomas Nagel, panpsychism follows from four premises (or anti-premises): anti-dualism, -reductivism, -elminativism, and –emergence.[4] That is, panpsychism assumes all things are complex systems of matter; mental properties are not logically implied by physical properties; humans possess mental properties; and no aphysical properties can arise from physical properties. Nagel’s argument is relevant to a consideration of Spinoza because in addition to succinctly stating what can only be deduced piecemeal from Spinoza’s writing, Nagel argues against sui generis nomological necessity in favor of strict causal necessity and fully explicable series within complex systems. Like Spinoza, Nagel’s concept of panpsychism arises from necessitarianism, naturalism and thoroughgoing rationalism. In considering the relationship between panpsychism and the affects, it is also significant that the capacity of humans to think becomes one of the bases for the logical deduction of panpsychism rather than an obstacle to it.
2) Panpsychism in Spinoza’s modes
Spinoza implies panpsychism in the scholium to 2P13 when, after considering the relationship between mind and body, he writes, “For the things we have shown so far are completely general and do not pertain more to man than to other individuals, all of which, though in different degrees, are nevertheless animate.”[5] That is, at least to this point in the Ethics, Spinoza’s naturalism precludes any exceptional ontological status for humans. Any modal concept related to humans also relates to other animals and inanimate objects. As Jonathan Bennett writes, “[T]he concept of life itself has no basic place in the true story of the universe.”[6]
Spinoza’s further development of Part II also suggests that if the mind is God’s idea of the body, and God must possess an idea of every extensional mode, then every body must have a mind. According to David Skrbina, panpsychism follows from 2P3, “In God there is necessarily an idea […] of everything which necessarily follows from his essence,“[7] and 2P11, “The first thing which constitutes the actual being of a human Mind is nothing but the idea of a singular thing which actually exists.”[8] Skrbina completes the syllogism, reasoning, “If minds are ideas, and all real things have ideas, then all real things have minds.”[9]
3) Panpsychism in Spinoza’s affects
Spinoza’s naturalism and his substance monism also support the extension of the principles at play throughout nature to those of human psychology and vice-versa. The laws governing mind are the same ones governing the natural world, the former conceived through the attribute of thought and the latter through extension. Psychology, for Spinoza, is then a science like any other. In the demonstration to 3P1, Spinoza writes, “And those [ideas] which are inadequate in the mind are also adequate in God (by 2P2C), not insofar as he contains only the essence of that mind, but insofar as he also contains in himself, at the same time, the minds of other things” [emphasis added],[10] and Spinoza provides no ostensible reason to limit these other things to less than everything. According to 3P6, “Each thing, as far as it can by its own power, strives to persevere in its being,” in 3P7, striving is defined as “nothing but the actual essence of the thing,” and in 3P8, striving is posited as involving “an indefinite time.”[11] As a result, the actual essence of atoms and coffee pots, as with that of giraffes and humans, is to strive and persevere until acted upon by an outside force.
These propositions, however, do not preclude degrees of independence between ideas and external causes, nor does Spinoza’s panpsychism extend to hylozoism, the theory that all entities have life. In the scholium to 2P13 cited earlier, Spinoza continues:
However, we also cannot deny that ideas differ among themselves, as the objects themselves do, and that one is more excellent than the other, and contains more reality, just as the object of the one is more excellent than the object of the other and contains more reality. And so to determine what is the difference between the human mind and the others, and how it surpasses them, it is necessary for us, as we have said, to know the nature of its object, that is, of the human body.[12]
While Spinoza never ascribes the capacity to achieve complete adequacy of ideas to humans, he clearly favors degrees of adequacy with less confused ideas becoming less dependent on external causes. As a result, humans are less dependent than the giraffe, which is less so than the coffee pot, which is still less so than the atom. While Spinoza’s concept of striving here only applies to an entity’s essence and does not preclude the possibility that an entity might take actions that weaken itself provided its essence perseveres, Spinoza’s panpsychic application of mentality still presents some problematic issues.
4) Issues of non-human mentality in Spinoza’s panpsychism
Steven Nadler argues that Spinoza is a panpsychist only to the extent that his work is psychologized, a tendency against which Nadler operates. However, Nadler’s contention is largely semantic, because he only wants to deny consciousness and sensation to the inanimate object without precluding the concept of a thought in God to accompany every body. That is, while Nadler does not want to extend the unique power of memory, imagination and self-awareness to modes lacking a human mind, he seems to accept that ontologically there is nothing special about the human mind.[13]
According to Spinoza’s twofold use of the principle of sufficient reason, mentality must be explained in terms of its causal independence and degree to which it becomes the complete cause of other things. As such, the more lingering issue with Spinoza’s panpsychism and gradated ontology is the seeming recourse it takes to emergence. That is, the “degrees of animation” argument would seem to posit higher mental functions as arising from the organization of lower mental functions, which is strictly forbidden by Nagel’s panpsychism and would counter Spinoza’s naturalism, as well.
Michael Della Rocca indirectly addresses this issue by insisting that striving is not an issue of psychology but merely, as Descartes previously defined it, a matter of being a function of a given state at a given moment. He writes, “But the fact that a table strives does not, for Spinoza, presuppose that it has mentality. Spinoza’s attribution of striving to all things is made independently of the considerations that lead to his panpsychism.”[14] For instance, the heart strives to circulate blood or a baseball strives to break a window because of their position and motion at a given point in space and time, independent of any mentality. All modes, according to their natural tendencies and left to their own power and resources, then preserve their being without necessarily having beliefs or intentions.
Spinoza’s gradated ontology is actually developed to prevent needless psychologizing. His assertion that entities possess degrees of animation supports his claim that affect and power, possessed by all entities, are measures of a body’s capacity to combine and become more active, to affect and be affected. Ideas, defined as the thoughts that accompany affects, should not be conflated with feelings and emotions. Consciousness and sensation, far from signifying an understanding of, or freedom from, physical causality, only provide additional means for humans to become confused regarding the actual cause of their affects.
5) Issues of human mentality in Spinoza’s panpsychism
If the mentality of forks is problematic, the mentality of humans is even more so, because unlike utensils, humans seem to help others, to plan, to intentionally self-destruct, to create art and participate in other exceptional endeavors. Spinoza summarily dismisses altruism as an illusion. We always act according to our own needs. Future direction is more complex, but Spinoza argues that if someone, for example, puts money in a 401K, this is not, as one might assume, a matter of planning for the future but is in fact an attempt to alleviate current worry. According to his causal logic, immediate outcomes can lead to distant outcomes, but the immediate ones are all we know. Putting money in a retirement plan only works if one believes that it is working now. In addition, anorexia, a seemingly self-destructive condition, for Spinoza would be explained as the body’s attempt to liberate itself from its dependence on food. One is not free to eat, as one might assume. One is rather caused to eat, which (metaphysically at least) is no different from the causal behavior propelling a ball to complete its trajectory or the heart to pump blood.
Finally, Spinoza’s naturalism, which posits everything in existence as part of the same Nature, and its resulting panpsychism seem to preclude aesthetic value. The lack of a distinction between natural and artificial objects, as well as the lack of a privileged status for purposeful creation, precludes Picasso’s Guernica from being interpreted (rationally at least) as anything more than a physical object with physical predicates like all other objects. While Spinoza’s metaphysics clearly precludes a unique ontological status or privileged existence for art, his panpsychism precludes the emergence of meaning. Ascribing an excess of meaning to particular material objects of behavior is an illusion of the imagination.
References
Bennett, Jonathan. “Spinoza on Error.” Philosophical Papers 15 (1986): 59-73.
Della Rocca, Michael. “Spinoza’s Metaphysical Psychology.” In The Cambridge Companion to Spinoza, edited by Don Garrett, 192-266. Cambridge: Cambridge University Press, 2006.
Nadler, Steven. Spinoza’s Ethics: An Introduction. Cambridge: Cambridge University Press, 2006.
Nagel, Thomas. “Panpsychism.” In Mortal Questions, 181-95. Cambridge: Cambridge University Press, 1979.
Skrbina, David. Panpsychism in the West. Cambridge: The MIT Press, 2005.
Spinoza, Benedict de. A Spinoza Reader: The Ethics and Other Works. Edited and translated by Edwin Curley. Princeton: Princeton University Press, 1994.
Van Cleve, James. “Mind–Dust or Magic? Panpsychism Versus Emergence.” Philosophical Perspectives 4, no. Action Theory and Philosophy of Mind (1990): 215-26.
Wolfson, Harry A. “Spinoza’s Mechanism, Attributes, and Panpsychism.” The Philosophical Review 46, no. 3 (May, 1937): 307-14.
[1] Benedict de Spinoza, “Freedom and Necessity: Letter 58, Spinoza to Schuller for Tschirnhaus,” in A Spinoza Reader: The Ethics and Other Works, ed. Edwin Curley (Princeton: Princeton University Press, 1994), 267.
[2] Benedict de Spinoza, “Tschirnhaus on Freedom: Letter 57, Tschirnhaus to Spinoza, 8 October 1674,” in A Spinoza Reader: The Ethics and Other Works, ed. Edwin Curley (Princeton: Princeton University Press, 1994), 266.
[3] Spinoza, “Freedom and Necessity: Letter 58, Spinoza to Schuller for Tschirnhaus,” 268.
[4] Thomas Nagel, “Panpsychism,” in Mortal Questions (Cambridge: Cambridge University Press, 1979), passim; also see James Van Cleve, “Mind–Dust or Magic? Panpsychism Versus Emergence,” Philosophical Perspectives 4, no. Action Theory and Philosophy of Mind (1990): passim.
[5] Spinoza, Ethics, 124.
[6] Jonathan Bennett, “Spinoza on Error,” Philosophical Papers 15(1986): 59.
[7] Spinoza, Ethics, 117.
[8] Ibid., 123.
[9] David Skrbina, Panpsychism in the West (Cambridge: The MIT Press, 2005), 90.
[10] Spinoza, Ethics, 154.
[11] Ibid., 159.
[12] Ibid., 124.
[13] Steven Nadler, Spinoza’s Ethics: An Introduction (Cambridge: Cambridge University Press, 2006), 136. Nadler goes on to echo Harry Wolfson’s earlier argument that “[Spinoza’s] omnia animata need not therefore on that account be taken literally; it means, as I have tried to show, that all things may be said to have an anima in the same sense as in the older philosophy all things were said to have a forma.” [Harry A. Wolfson, "Spinoza's Mechanism, Attributes, and Panpsychism," The Philosophical Review 46, no. 3 (May, 1937): 312.]
[14] Michael Della Rocca, “Spinoza’s Metaphysical Psychology,” in The Cambridge Companion to Spinoza, ed. Don Garrett (Cambridge: Cambridge University Press, 2006), 194.
This entry was posted on Saturday, November 5th, 2011 at 23:39. It is filed under Theory and tagged with Baruch Spinoza. You can follow any responses to this entry through the RSS 2.0 feed.
Gabriel Tarde's Monadology and Sociology
Monadology and Sociology, Tarde’s 1893 book, is now available from re.press, as an open access pdf.
From re.press:
Gabriel Tarde’s Monadology and Sociology, originally published in 1893, is a remarkable and unclassifiable book. It sets out a theory of ‘universal sociology’, which aims to explicate the essentially social nature of all phenomena, including the behaviour of atoms, stars, chemical substances and living beings. He argues that all of nature consists of elements animated by belief and desire, which form social aggregates analogous to those of human societies and institutions. In developing this central insight, Tarde outlines a metaphysical system which builds on both classical rationalist philosophy and the latest scientific theories of the time, in a speculative synthesis of extraordinary range and power.
Tarde’s work has only recently returned to prominence after a long eclipse. His work was an important influence on later theorists including Deleuze and Latour, and has been widely discussed in the social sciences, but has rarely been a focus of philosophical interest. The translator’s afterword provides an explication of the key ideas in the text and situates Tarde’s theory within the context of the philosophical tradition, arguing for the importance of the text as a highly original work of systematic ontology, and for its importance for contemporary theoretical debates.
About the AuthorGabriel Tarde (1843-1904) was a French sociologist, criminologist and social theorist. He originally trained in law and worked as a judge. Subsequently he was director of criminal statistics at the French Ministry of Justice, and then held the chair in modern philosophy at the Collège de France. His works cover a wide range of interests; he is best known for his theories of imitation and his work on crowd psychology, and for his debates on sociological theory with Émile Durkheim.
Theo Lorenc is Research Fellow at the London School of Hygiene and Tropical Medicine.
From Semiotext(e):
Gilles Deleuze from A to Z
Gilles Deleuze, Claire Parnet and Pierre-Andre Boutang
Translated by Charles J. Stivale
Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet’s proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences for the first time.
In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortalityfloats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out—as no one else had—to what might be the 1001st plateau: a place of brilliance, rigor, and charm.
In “A as in Animal,” for example, Deleuze vents his hatred of pets: “A bark,” he declares, “really seems to me the stupidest cry.” Instead, he praises the tick: “… in a nature teeming with life, [the tick] extracts three things”: light, smell, and touch. This, he claims, in a sense is philosophy. “And that is your life’s dream?” Parnet wryly asks. “That’s what constitutes a world,” he replies.
CFP: Log 25, “Reclaim Resi[lience]stance, edited by Francois Roche.
Issue 12 of Parrhesia, which includes essays by Meillassoux, Lyotard and others, is available for download.
STUDIO Magazine Issue#01 "[from] CRISIS [to]"
RRC studio architects is proud to announce you that STUDIO Magazine Issue#01 is OUT now!
The theme of this issue -[from] CRISIS [to]- is the Crisis as a turning point, as a decision moment that involves also the urban contexts.
Contributions have been written by several international architects, critics, photographers and artists: Bernd Upmeyer (MONU magazine), Domenico di Siena (Ecosistema Urbano), Marco Introini and others.You can download the Magazine at STUDIO.



Horizonte – Journal for Architecture, No. 4, “Building Matters” is now available in Germany and from Motto.
Read more (in deutscher Sprache) at Arch+.




The Artists Documentation Program (ADP) interviews artists and their close associates in order to gain a better understanding of their materials, working techniques, and intent for conservation of their works. All interviews are conducted by conservators in a museum or studio setting.
NOTE: access to the interviews requires registration.


Peter Sloterdijk's Bubbles, the First Volume of Spheres: Microspherology
From Semiotext(e):
Bubbles
Spheres Volume I: Microspherology
Peter Sloterdijk
Translated by Wieland Hoban
If I had to place a sign of my own at the entrance to this trilogy, it would be this: let no one enter who is unwilling to praise transference and to refute loneliness.
—from Bubbles
An epic project in both size and purview, Peter Sloterdijk’s three-volume, 2,500-page Spheres is the late-twentieth-century bookend to Heidegger’s Being and Time. Rejecting the century’s predominant philosophical focus on temporality, Sloterdijk, a self-described “student of the air,” reinterprets the history of Western metaphysics as an inherently spatial and immunological project, from the discovery of self (bubble) to the exploration of world (globe) to the poetics of plurality (foam). Exploring macro- and micro-space from the Greek agora to the contemporary urban apartment, Sloterdijk is able to synthesize, with immense erudition, the spatial theories of Aristotle, René Descartes, Gaston Bachelard, Walter Benjamin, and Georges Bataille into a morphology of shared, or multipolar, dwelling—identifying the question of being as one bound up with the aerial technology of architectonics and anthropogenesis.
Sloterdijk describes Bubbles, the first volume of Spheres, as a general theory of the structures that allow couplings—or as the book’s original intended subtitle put it, an “archeology of the intimate.” Bubbles includes a wide array of images, not to illustrate Sloterdijk’s discourse, but to offer a spatial and visual “parallel narrative” to his exploration of bubbles.
Written over the course of a decade, the Spheres trilogy has waited another decade for its much-anticipated English translation from Semiotext(e). Volumes II, Globes, and III, Foam, will be published in the coming seasons.
About the Author
Peter Sloterdijk (b. 1947) is one of the best known and widely read German intellectuals writing today. His 1983 publication of Critique of Cynical Reason (published in English in 1988) became the best-selling German book of philosophy since World War II. He became president of the State Academy of Design at the Center for Art and Media in Karlsruhe in 2001. He has been cohost of a discussion program, Der Philosophische Quartett (Philosophical Quartet) on German television since 2002.
Quiz: Which Metaphor Best Captures Your Personal Brand of Post-Modern Ennui?
Answer: A bathroom in a hipster bar from which the mirror has been removed because it caused excessive self-consciousness in its patrons
I just discovered that Herzog & De Meuron finally have an official website. However, after a few minutes frustratingly clicking around, I have to say I preferred the obstinacy mystery of the firm sans site.
Space is no longer a particular determined space, it has become any-space-whatever [espace quelconque...] Any-space-whatever is not an abstract universal, in all times, in all places. It is a perfectly singular space, which has merely lost its homogeneity, that is, the principle of its metric relations or the connection of its own parts, so that the linkages can be made in an infinite number of ways. It is a space of virtual conjunction, grasped as pure locus of the possible. What in fact manifests the instability, the heterogeneity, the absence of link of such a space, is a richness in potentials or singularities which are, as it were, prior conditions of all actualization, all determination… - Gilles Deleuze, Cinema 1: The Movement-Image
And just as the image must attain the indefinite, while remaining completely determined, so space must always be an any-space-whatever, disused, unmodified, even though it is entirely determined geometrically (a square with these sides and diagonals, a circle with these zones, a cylinder “fifty metres round and sixteen high”). The any-space-whatever is populated and well-trodden, it is even that which we ourselves populate and traverse, but it is opposed to all our pseudoqualified extensions, and is defined as “neither here nor there where all the footsteps ever fell can never fare nearer to anywhere nor from anywhere further away.” […] It is a matter of covering every possible direction, while nonetheless moving in a straight line. There is equality between the straight line and the plane, and between the plane and the volume: the consideration of space gives a new meaning and a new object to exhaustion—exhausting the potentialities of an any-space-whatever. -Gilles Deleuze, “The Exhausted,” Essays Critical and Clinical
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Interesting read and very conceptually detailed. I have only just stumbled on panpsychism as a concept and see the similarities with animism which is my interest.
I liked this line “Each thing, as far as it can by its own power, strives to persevere in its being” because I believe that every particle strives to experience, for that is the purpose of the universe.
Cheers
George
@ParticleAnimism